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博士论文《任昉研究》内容提要及研究提纲 |
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时间：2009-8-8 16:54:54 来源：不详
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ry in the South dynasty,remained individual or personal anthologies and their names, whichprovided precious clues for us to conduct in-depth research intopersonal anthologies since the Han dynasty and was able to mutuallyconfirm personal anthologies in Shi Pin and Wen xin Diao long. Wenzhang Yuan qi’ s classification in terms of compiling catalogues paidattention to the forms but not to the contents of literary styles. Inaddition, a total of eighty-four literary styles were included inone-grade catalogue classification. Although Wen zhang Yuan qi wasconsidered to have this and that deficiency by those who lived afterREN Fang, it indeed represented the highest achievement in the area ofliterary styles of that time, which presented the basis ofclassification of literary styles for XIAO Tong’s Anthology and gaveinspiration for LIU Xie’ s establishment of the thoughts about theorigin of literary styles. What deserves our attention is that RENFang’s theory of the origin of literary styles had had far-reachingeffects on the offspring and that its influence even extended to theQing dynasty. Therefore, we can find out the developmental course oftheory of the origin of literary styles according to REN Fang’sinfluences on the later dynasties. We can subdivide literary stylesinto the following four types: (1) Theory about explanations for thenames of literary styles; (2) Theory about the origin of literarystyles; (3) Theory about anthology; and (4) Theory about literaryappreciation. REN Fang’s academic status in the area of literary theorywas quite obvious and therefore he can be considered the founder oftheory about the origin of literary styles.
REN Fang was arepresentative poet in the Qi-Liang poetical circles and the remarkablefeature of his poems is to cite literary quotations, which can not beeasily detected from his extant poems while Shu Yi Ji has provided uswith some related clues. REN Fang completely differs from SHENG Yue inliterary quotation. Three-Simpleness Theory advanced by SHENG Yueemphasized that the literary quotations cited in the poems should becommon and easily comprehended and accepted by others. However, theliteray quotations cited by REN Fang in his poems are primarily derivedfrom uncommon chorography and novels. Based on the information or cluessupplied by Shi Pi and Preface to the History of Literature in Historyof South-Qi, we can further find out another poetic school followingREN Fang during the Qi-Liang period, which mainly consists of suchpoets as XIE Chao-Zong, QIU Ling-Ju, LIU Xiang, TAN Chao, ZHONG Xian,YAN Ze, GU Ze-Xin, WANG Rong, LIU Hui, QIU Chi, LIU Bao, LIU Xiao-Zhuo,WANG Seng-Yu,etc. It was found that literary citation begins from theJian An period for the mere purpose of more explicitly narrating andexpressing one's feelings and emotions at that time. Fu Xie and YingMao in the Jin dynasty progressed to directly introduce literaryquotations into poems. Yan Yin-Zhi and Xie Zhuang in the Song dynastyare more rigorous in literary citation, thereby making it more and moreacademic. During the Qi-Liang dynasty due to lack of being chronicallyinfluenced by Jing Learning REN Fang and his devoted followers tend tocited some literary quotations from outside Jin and Shi.On one hand,the REN Fang poetic school seeks for innovative approaches on the basisof returing to historical tradition. On the other hand, the SHENG Yuepoetic school breaks through the old-styled poem's obstacles bylearning folksongs and obsorbing extraneous or foreign Rhyme Theory.What SHENG Yue and REN Fang represents are two types of innovativetrends in the Five-Yan poem since the Song dynasty, which echo with twosorts of worldwide medieval literary innovations. Not until the laterstage of the Liang dynasty did these two trends merge, which eventuallybrought about thorough innovations of the Five-Yan poem from content toform, thereby resulting in the birth of the Gong-Ti poem.Therefore,research into the REN Fang poetic school is extraordinarily meaningfultoday.
REN bi possessed high reputation. In the South dynasty, theconception “bi” was widely used but its meaning still remained vague.When putting bi into Yan bi, Dao bi, Shi bi, and Wen bi to distinguishbi’s meanings, we know that bi contains all the characters or lettersother than written language, history, official documents, and poems.Only the word “Wen bi” had the vaguest meaning. Virtually, Wen bi wasjust a consistently used parlance and had no fixed meaning at all.Through these investigations we also know that REN bi is the oppositeconception to REN shi, and that it contains all the literary styles inREN Fang’s works except for poems. REN bi has strong functions innarration and argumentation, conveys very strong emotions and feelings,and has flexible and abundant forms in citing literary quotations. Thestyle of REN bi is directly affected by Fu Xie and Wang Jian, and hassignificant effect on Wei Shou in the North Qi dynasty and YU Xin inthe 上一页 [1] [2] [3] [4] 下一页
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