|
|
|
浅析T.S.艾略特早期诗歌中的现代人形象 |
|
时间:2009-8-8 16:56:54 来源:不详
|
|
|
W.Norton & Company, 2002,P1325 [2] Chen Jia. A history of English Literature [M]. Beijing: The Commercial Press, Vol.4, 1986,P249 [3] Carl Woodring, James Shapiro. The Columbia History of British Poetry[M]. Beijing: Foreign Language Teaching and Research Press, 2005,P569 [4] 常耀信.《美国文学史》[M].天津:南开大学出版社,1998,P245 [5] Li Mei. “T.S. Eliot—The Representative Figure of New Criticism & Love Song of J. Alfred Prufrock” [J]. Journal of Inner Mongolia Polytechnic University, Vol.11, No.2, 2002,P51 [6] 同[4]注,P245 [7] 同[4]注,P246 [8] AS Hornby. Oxford Advanced Learner’s English-Chinese Dictionary [Z]. Oxford University Press, Extended Fourth, 1997.7,P1194 [9] 同[8]注,P592 [10]同[8]注,P1205 [11]张剑. 充满喜剧效果的悲剧[J].外国文学评论,1997.1,P77 [12] Liu Ya-li. “On Modern Figures in T.S. Eliot’s Early Poetry” [J]. Journal of Mengzi Teachers’ College, Vol.3, No.1. Feb.2001, P46 [13]张剑.干燥的大脑的思索:-— 析T.S. 艾略特《枯叟》的拯救主题 [J]. 外国文学,1997.4,P77 [14]同[2]注,P258 [15] David Moody. The Cambridge Companion to T.S. Eliot[M]. Shanghai: Shanghai Foreign Language Education Press, 2000.12,P113 [16]同[2]注,P273-274 [17]张剑.《空心人》与T.S.艾略特的思想发展[J]. 国外文学,No.1,1998,P55 [18]同[2]注,P274 [19]同[15]注,P113
上一页 [1] [2] [3] [4] [5] [6] [7] [8] [9]
|
|
|
|