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论《飘》中思嘉丽的性格 |
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时间：2009-8-8 16:56:59 来源：不详
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something that’s just as dead as Melly is. I made a pretty suit of clothes and fell in love with it. And when Ashley came riding along, so handsome, so difference, I put that suit on him and made him wear it whether it fitted him or not. And I wouldn’t see what he really was. I kept on loving the pretty clothes-and not him at all.”[15] After Melanie’ death, Scarlett finds that Ashley has never loved for Melanie, to him, she is only a dream that he lived and breathed and did not die in the face of reality. Scarlett finds him only a coward who will depend on her in the future without Melanie. Then she knows that the heaven she has sought in dreams, the place of warm safety, which has always been hidden from her in the mist. It is not Ashley! Scarlett can’t get any warmth and security from Ashley. It is Rhett who has strong arms to hold her, a broad chest to pillow her tired head, jeering laughter to pull her affairs into proper perspective. And he completely understands her, because he, like her, sees truth as truth, unobstructed by impractical notions of honor, sacrifice, or high belief in human nature.
For years Scarlett has had her back against the stone wall of Rhett’s love. Rhett loves her, understands her, ready to help her. Rhett at the bazaar reads her impatience in her eyes and leads her out the reel; Rhett helps her out of the bondage of mourning; Rhett conveys her through the fire and explosions the night Atlanta fell; Rhett lends her the money, Rhett comforts her when she wakes up in the nights crying with fright from her horrible dreams. No man does such things without loving a woman to distraction.
Scarlett comes to her sense at last. She wants to tell him everything; she wants to tell him she loves him and she wants to gain his love to her. But it’s too late. Her lovely daughter is dead; Rhett is worn out and decides to go away. “Oh, my darling, if you go, what shall I do?” He said: “My dear, I don’t give a damn.”[16] Suddenly, her great house becomes a tomb, and her wealth has already lost the significance to her. What Scarlett loses is not only her love but also her soul, although she owns too many things on the aspect of materials. And it just likes a cup; she just gets hold of it on the left hand, but then loses it on the right hand.
However, she is able to handle the tragedies by thinking about them “tomorrow is another day” and “things always look better in the morning”. She wants to return to Tara, the source of her strength, and she believes that she can get Rhett back confidently.
5. Conclusion
The three parts above analyze the features and reasons of Scarlett’s complex character. The figure of Scarlett is real and vivid and the image of Scarlett’s portrayed by the author corresponds to the logic of the developing of the figure’s character, which is real and full of appeal, and that is enough to prove that Gone with the Wind is a masterpiece, charming and valuable.
Bibliography
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[11] 杨福玲，重返陶乐-评玛格丽特.米切尔与《飘》[J]，天津市工会管理干部学院学报 2004, 12(1), P61
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